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In Case You Missed It
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Interviews
Atari: Pennsylvania Band Looks Back on Their Time in the ‘90s Hardcore Scene
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Lists
3 Cheers for Sweet Releases: Matt Arrebollo (Gatecreeper) Discusses His Favorite Records
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Reviews
Tennis System, Lovesick (Graveface Records, 2019)
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Features
World on Fire: Buffalo Hardcore Band Brings Forth Politically-Minded Lyrics on Latest Release
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Features
Point of Contact Vocalist Talks Tampa Straight Edge Band’s Excellent Brand New EP
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Features
Pithair: Philly Band Potently Melds Crushing Doom Parts with Fast Hardcore on Two EPs
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Features
Seismic Toss: New Philly Hardcore Band’s Origins Embody the DIY Spirit
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Features
Death Metal Discharge Podcast Host Vince Gugliemi Digs Into Genre’s Classic Releases
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Features
No Values Festival 2024 Photos
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Features
En Love: Ohio Hardcore Band Rips & Tears on “Bodies Carried Over Doves” (VIDEO PREMIERE)
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Features
Live Fast, Die Fast: Long Island Hardcore Band Reunites After 5-Year Break
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Features
Dead Rhythm Festival 2018 (PHOTOS + REVIEW)
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Features
BillyBio: H2O’s Toby Morse Joins Biohazard Guitarist/Vocalist for “One Life to Live” Single
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Features
In Balance: Bakersfield Band Brings High-Energy Pop-Punk via “Forget Me”
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Features
Sparing: Zach Godwin Turns Back the Clock to ‘00s Pop-Punk & Post-Hardcore on New Track
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Reviews
Nothing, Dancing on the Blacktop (Relapse Records, 2018)
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Record Collectors
Record Collector: Jem Evans, edityourhometown_
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Reviews
Rotten Sound, Apocalypse (Season of Mist, 2023)
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Features
Price of Redemption: Multiple Generations of Western Mass Hardcore Unite in New Band
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Features
Killed For Less: New Zealand Hardcore Band Makes Powerful Debut via “Riga Ghetto” Video